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In 1942, when I wrote the Philadelphia City Hall for a birth certificate, I sent them a dollar and they told me I was born on the twenty-second of July, 1898.
But my grandfather Milne’s birthday was on August 23, so there might have been a little confusion.
(Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.
Directed and cinematography by Herbert Matter; produced and narrated by Burgess Meredith; music by John Cage. Of the whole trip this impressed me most of all; it left me with a lasting sensation of the solar system. Mother and father were all for my efforts to build things myself—they approved of the homemade . (Calder 1966, 21) 1 January: Calder attends Pasadena's Tournament of Roses, where he experiences the four-horse chariot races. At that time, on Euclid Avenue in Pasadena, I got my first tools and was given the cellar with its window as a workshop. My workshop became some sort of a center of attention; everybody came in. I always thought I was born—at least my mother always told me so—on August 22, 1898. Produced, directed, and written by Robert Pierce; narrated by Lary Lewman; production manager, Mark Muheim, assistant camera/sound, Zack Krieger. Thirteen/WNET and Florentine Films/Roger Sherman Pictures, New York. Produced and directed by Roger Sherman; written by Thomas Mc Namee; narrated by Tovan Feldshuh, music by Teese Gohl. Produced by Zadig Productions, Calder Foundation, Centre Pompidou, Sloo Films, and France 5. Directed by François Levy-Kuentz; written by Stephan and François Levy-Kuentz; narration by Mathieu Almaric and Paul Bandey; music by Louis Sclavis.